The Galileo Files

Danse Kalashas — The Mahapooram Ensem­ble

The Galileo Files

This col­lec­tion of files draws its inspi­ra­tion from a first draft, The Galileo Fil­er, a mon­tage of very short texts for the web in the form of files on var­i­ous aspects of the life and prac­tice of the per­form­ing arts pub­lished until most recent­ly on silent​cul​ture​.org. The Galileo Fil­er project was born out of my expe­ri­ence of work­ing with per­cus­sion­ist and com­pos­er Bruno Paquet at the Galileo Work­place that we co-found­ed and main­tained for over ten years through a series of pro­duc­tions for the stage and oth­er works for the com­mu­ni­ty. I refer to the archival site of the Danse Kalashas and the Mahapooram Ensem­ble, the Galileo Work­place, for an overview of the activ­i­ties that have tak­en place at the Galileo Spaces where groups of par­tic­i­pants have enjoyed work­ing as gen­er­al­ly evi­denced by the sup­port received. The post­ing of the Galileo Fil­er (Fichi­er Galilée) had to be aban­doned fol­low­ing updates on the appli­ca­tion used on the serv­er-side to retrieve data from the online data­base. The suc­ces­sive updates had made the scripts inop­er­a­tive.

The present series, as agreed with Bruno Ji, takes the idea of this first draft of the posts as a source of inspi­ra­tion to rein­vent the for­mu­la. The new Galileo Cards or files go far beyond a nos­tal­gia for the time spent work­ing at the Galileo Spaces. The cards are rather meant to achieve two things as a priority:
  • Arouse gen­er­al read­ers’ curios­i­ty about issues of dai­ly life and work among the cre­ative cir­cles by means of cap­sules, flash­es, apho­risms mixed with his­tor­i­cal facts and jour­neys based on knowl­edge acquired in the prac­tice of cre­ation and by a reflec­tion on art, soci­ety and the world in which we live.

  • Invent a flex­i­ble and airy space for the pre­sen­ta­tion of texts where we peri­od­i­cal­ly return to browse through tex­tu­al clips pre­sent­ed with­out appar­ent idea of ​​clas­si­fi­ca­tion and in a media form adapt­ed to the present times. This nec­es­sar­i­ly involves the effec­tive­ness of dig­i­tal media while bring­ing to the fore the idea of ​​the text which stands out from the image and from sev­er­al oth­er medi­a­tion projects com­mon to the per­form­ing arts. How­ev­er, these text clips main­tain an essen­tial con­nec­tion to sound and image using hyperlinks.

The series aims to cov­er var­ied sub­jects, lend­ing its aphor­ic for­mat to the fure­teur’s quick read­ing.

Richard Trem­blay (Ed.)

 

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