itinerary

Danse Kalashas, Montreal

The first dance insti­tu­tion to present at the l’Ago­ra de la danse on its open­ing at the dance depart­ment of the Uni­ver­sité du Québec on Cher­ri­er Street, in the fall of 1991, was Danse Kalashas (con­tem­po­rary dance com­pa­ny) who opened with Of Mice and Oth­er Sim­i­lar Devices (1990), the Danse Kalashas’ found­ing work first per­formed at Tan­gente (Nov. 29-Dec. 1, 1990).

Danse Kalashas pré­pare une semaine d’activités spé­ciales pour l’automne à l’Agora de la danse, qui per­me­t­tra au spec­ta­teur de se famil­iaris­er avec le Kathakali et le Kathak, deux formes tra­di­tion­nelles, et d’assister à des spec­ta­cles de contemporain.

(Le Devoir, 1991)

Danse Kalashas and Richard Trem­blay returned to Ago­ra in 1995 to fea­ture in Volet Choré­graphes XII, a Danse Cité series where the com­pa­ny pre­sent­ed La Courbe en Flo­con de Neige to music com­posed and per­formed live by Bruno Paquet — a week-long pro­gramme shared in tan­dem with chore­o­g­ra­ph­er and artis­tic direc­tor Daniel Soulières.

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The per­form­ers at the 1992 revival at the Saidye Bronf­man Cen­ter (Cen­ter for the Arts and Per­for­mance), Mon­tre­al. Fore­ground: Bruno Paquet (per­cus­sion) with dancers Geneviève Pepin, Sophie Des­jardins and Kir­il Chour. Sec­ond row: Richard Trem­blay (chore­o­g­ra­ph­er) and Francine Gag­né (Dancer).