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Between the Lines

The Kathakali dance and its percussions instruments in Canada

The Kathakali Asian char­ac­ter dance and its per­cus­sion instru­ments were per­ma­nent­ly intro­duced to Cana­da and North Amer­i­ca in 1976 by chore­o­g­ra­ph­er Richard Trem­blay and com­pos­er Bruno Paquet. As a per­cus­sion­ist, the lat­ter joined this ear­ly imple­men­ta­tion in 1985. Since then, these per­form­ers have made the Kathakali dance and music part of their cre­ation process (Le Lion du Pan­jshir (2003) and In Himalayas, Prayer for a Rope, a Pope, And a Rogue (2003), for instance) in addi­tion to their own pre­sen­ta­tion of the Kathakali reper­toire. Richard Trem­blay gave his first Kathakali per­for­mance in Ker­ala as a begin­ner with the Kathakali troupe in 1976, fol­lowed by a series of per­for­mances in Sague­nay (Que­bec) where he had set up a per­for­mance lab­o­ra­to­ry. He has danced since then in Vic­to­ria, Van­cou­ver, Saska­toon, Win­nipeg, Toron­to, Ottawa, Mon­tre­al and Que­bec City with K. Gopalakr­ish­nan (1981 Cana­di­an tour), K. Karunakaran in Toron­to (1980) and the Indi­an nation­al Kathakali com­pa­ny, Kala­man­dalam of Ker­ala, in Mon­tre­al (1981). Since 1984, Bruno Paquet and Richard Trem­blay have pre­sent­ed lit­tle-known pieces from the reper­toire, such as Gitopade­sham, as well as Kathakali works of their own, such as Au Clair de la Lune (pre­miered in Mon­tre­al in 1985), Orig­ines (Mon­tre­al, 1988 – 94-96), The Ili­ad or The Sto­ry of Achilles (Ker­ala, 1988 – 91-93) and Ulysse (Ker­ala, 1994).
An attempt to intro­duce Kathakali to Que­bec and Cana­da had pre­vi­ous­ly been made by a descen­dant of a fam­i­ly of gurus (gurukku­la) from Ker­ala, who, in the ear­ly 1950s, lived for two years in a small apart­ment on Sher­brooke Street in Mon­tre­al, con­tribut­ing to sev­er­al con­certs with his dance part­ner of Aus­tralian origin.